Category Archives: History

R. Peter Straus

R Peter Straus WMCA 1960's
R Peter Straus
WMCA 1960’s

At WMCA 570 AM, New York, station president R. Peter Straus combined Top 40 music with socially conscious journalism and ground-breaking public service to animate broadcasting’s most successful and influential big-city mom and pop radio station.  I joined WMCA in 1959, about a year after Peter succeeded his father, Nathan Straus, as station president.  For nearly six years in the news room, I witnessed and  participated in events WMCA both covered and created with its two-fisted documentaries, independent news service, precedent-setting editorials, and a historic crusade for voting justice.  Credit for WMCA’s best years as a top-rated station is shared by many people, but the first-of-its-kind balancing of jukebox and soap box that made that prominence possible, was by the design and direction of R. Peter Straus.   Edward Brown

 New York Daily News and New York Times stories follow below

 R Peter StrausNY Daily News photo jack smith

R. Peter Straus in WMCA studio, mid 1980’s. NY DAILY NEWS photo: Jack Smith

R. Peter Straus, populist WMCA radio host and NYC fixture, dead at 89

Liberal Democrat radio icon made rock n’ roll fun, too

By DAVID HINKLEY/ NEW YORK DAILY NEWS

R. Peter Straus, a blueblood who used his WMCA radio station to fight for populist causes, pioneer talk programming and make rock ‘n’ roll fun, died Monday at his Manhattan home. He was 89, and even people who disagreed with his liberal Democratic politics hailed him as a man who loved his radio station and the medium passionately.

“Peter Straus was one in a million,” said Tom Tradup, now with Salem Communications and Straus’s talk program director from 1980 to 1983. “WMCA was a petri dish of talk radio creativity, with legends like Barry Gray, Bob Grant, Bruce Williams and Barry Farber.” While he employed hosts across the political spectrum because he thought they were entertaining, he also used his 5,000-watt signal to broadcast his own beliefs.  He was one of the first station owners to broadcast editorials, endorsing John F. Kennedy for President in 1960 and calling for the resignation of Richard Nixon early in the Watergate scandal. But his station was better known as one of the first and most endearing homes for rock ‘n’ roll.

Deejays like Scott Muni, Murray the K, Harry Harrison, B. Mitchell Reed and Dan Daniel passed through WMCA, and Straus was one of the first owners to hire a black jock for a “rock ‘n’ roll” station when he signed the late Frankie Crocker. WMCA jocks were collectively known as “The Good Guys” in that wholesome era, and they delighted in waging guerrilla war against the much larger WABC

The battle between the two stations over who “owned” the Beatles became city radio legend. “WABC was bigger, but I always thought we had more fun,” said Dan Daniel years later. “And I think the fact there were two competing stations made them both better and made it a lot more entertaining for the listeners.”  Straus turned WMCA to talk in 1970 and sold it in 1986.

Born in Manhattan, Straus was the son of a Roosevelt administration official and state senator who bought his first radio station in 1943. Straus’s grandfather was Nathan Straus, owner of Macy’s and Abraham and Straus. His great-uncle Isidor was a congressman who went down on the Titanic.

A Yale graduate and World War II veteran, he joined WMCA as program director in 1948. During his years at the station he also worked in the Lyndon Johnson administration and directed the Voice of America from 1977 to 1979. He and WMCA filed a lawsuit in 1961 charging that the state legislature was violating the Constitution by giving rural areas disproportionate representation. That suit, folded in with others, led to the U.S. Supreme Court’s 1964 “one man, one vote” decision.

Straus even had brushes with history in his personal life. His first wife Ellen Sulzberger, a niece of Times publisher Arthur Ochs Sulzberger, died in 1995 after they had been married 45 years. In 1998 he married Marcia Lewis, mother of White House intern Monica Lewinsky.

But active as he was in social, political and economic circles, Tradup says Straus never lost touch with WMCA. Tradup recalls the time when night host Long John Nebel, late in his legendary career, was reading spots for a Brooklyn funeral home on his show. “Peter would ask the WMCA business department about them,” Tradup says, “and they professed not to know anything. “So one night Peter and Ellen were riding to a party and he heard the spot again. He had his driver turn the car around and barge into the station to get the straight story.”

Nebel, it turned out, had cut his own deal with the funeral parlor to run the spots in return for, when the time came, handling Nebel’s arrangements and burial. “Those were in the bygone days,” says Tradup, “when a station owner in New York actually listened to his property.”

http://www.nydailynews.com/authors?author=David Hinckley

R Peter Straus WMCA 1960's
R Peter Straus
WMCA 1960’s
NYTIMES photo

R. Peter Straus, WMCA Radio Pioneer, Dies at 89

By robert d. McFADDEN – NEW YORK TIMES

Published: August 8, 2012

 R. Peter Straus, who took over WMCA in New York in the late 1950s and turned it into one of the nation’s most innovative radio stations, broadcasting what are regarded as the first radio editorials and political endorsements and helping to popularize rock ’n’ roll, died on Monday at his home in Midtown Manhattan.  He was 89.

His daughter Diane Straus Tucker confirmed his death.

The son of a radio entrepreneur and the scion of a family steeped in public service, Mr. Straus counted diplomats, cabinet officials, legislators and philanthropists among his forebears, and became a United Nations official, director of the Voice of America and the administrator of American aid to Africa.

He also became a plaintiff in a historic reapportionment lawsuit that forced New York’s Legislature to give cities increased representation. It became an integral part of the Supreme Court’s “one person, one vote” ruling, which concluded that many state legislatures were unconstitutionally unbalanced in favor of sparsely populated rural areas.

But his most memorable contributions were in radio. Long before NPR created a network for high-quality news, music and discussion programs, WMCA pioneered public service radio in New York. It was the first station in the country to run editorials on political and civic issues, with Mr. Straus himself reading opinions on the air, and the first to endorse a presidential candidate, backing John F. Kennedy in 1960.

In December 1963, “I Want to Hold Your Hand” wailed out over WMCA, and Beatlemania, with a big boost from the station, soon engulfed the region. It was hardly a surprise. WMCA had been playing rock ’n’ roll since the 1950s, and WMCA’s Top 40 format, along with that of its fierce rival WABC, dominated the New York airwaves through the 1960s. WMCA’s disc jockeys, known as the Good Guys, became almost as well known as the stars whose records they played.

It is what the people want to hear, Mr. Straus said.

After Mr. Straus converted the station to an all-talk format in 1970, WMCA was known for years as a forum for liberal causes. It was the first station to call for the resignation of President Richard M. Nixon in the Watergate scandal, and the first to ban cigarette advertising and to accept ads from abortion rights advocates and makers of contraceptives.

It broadcast “Call for Action” programs featuring an ombudsman to help listeners who had problems with government agencies, corporations and landlords, and “Crime Stoppers,” to help the police solve crimes. It also accepted ads from the Patrolmen’s Benevolent Association and put public officials like Gov. Mario M. Cuomo and Mayor Edward I. Koch on the air to answer questions from listeners.

“We like to think occasionally we give voice to the voiceless,” Mr. Straus said in 1983. “We want to be broadcasters, but we want to make a difference.”

WMCA, 570 on the AM dial, was founded in 1925, broadcasting from the McAlpin Hotel, from which the call letters were derived. It was bought by Nathan Straus Jr. in 1943. Its programming included popular music, dramas, New York Giants baseball games and, in the postwar years, a remarkable run of music and talk featuring Barry Gray, sometimes called “the father of talk radio,” and disc jockeys like Scott Muni and Murray Kaufman, a k a Murray the K.

By 1986, WMCA was the last privately held station in a leading urban market when Mr. Straus sold it to Federal Enterprises of Detroit for $10 million. In 1989 it was sold again, to Salem Communications, which adopted the Christian format that continues today.

Ronald Peter Straus, who almost never used his first name, was born in Manhattan on Feb. 15, 1923, the son of Nathan Straus Jr. and Helen Sachs Straus. His father, who became director of the United States Housing Authority under President Franklin D. Roosevelt and a New York State senator, bought WMCA in 1943. The company, Straus Communications, later owned many radio stations and newspapers in the Hudson Valley and New Jersey.

Peter had other notable antecedents: his grandfather, Nathan Straus Sr., was a philanthropist who co-owned R. H. Macy and Abraham & Straus department stores. A great-uncle, Isidor, was a congressman who went down on the Titanic in 1912; another, Oscar Solomon, was ambassador to the Ottoman Empire and President Theodore Roosevelt’s secretary of commerce and labor.

After attending the Lincoln, Riverdale Country Day and Loomis schools, Mr. Straus majored in international relations and American government at Yale and graduated in 1943, a year early, under a World War II program. He became a B-17 pilot and flew 35 bombing missions over Germany. After the war he worked in public relations for a time, then joined WMCA as program director in 1948.

In 1950 he married Ellen Louise Sulzberger, a niece of Arthur Hays Sulzberger, publisher of The New York Times. She died in 1995.

Mr. Straus and his second wife, Marcia Lewis, mother of the former White House intern Monica Lewinsky, were married in 1998. They were introduced by a mutual Washington friend in 1997, months before the scandal of Ms. Lewinsky’s relationship with President Bill Clinton became public in January 1998. Mr. Straus said later that he had met Ms. Lewinsky once or twice, but declined to comment on her or the president, whom he had known for years. Ms. Lewis was divorced from Ms. Lewinsky’s father, Bernard Lewinsky, a California doctor, in 1987.

In addition to his daughter Diane, his wife and his stepdaughter, Mr. Straus is survived by three other children from his first marriage, Katherine Straus Caple, Jeanne Straus and Eric Straus; two brothers, Irving and Nathan; a stepson, Michael Lewinsky; and nine grandchildren.

Mr. Straus left WMCA in 1950 to become an executive of the International Labor Organization, a United Nations agency in Geneva. He returned to WMCA in 1958, succeeded his father as president in 1959 and became chief executive when his father died in 1961.

In 1961, he and WMCA filed a federal lawsuit that led to the reapportionment of the State Legislature and became incorporated into a block of cases that produced the Supreme Court’s “one person, one vote” decision in 1964. That ruling affected more than 30 legislatures whose seats had been unfairly apportioned, with more power going to rural areas than cities.

R. Peter Straus VOA 1977-1979Long active in Democratic politics, Mr. Straus was President Lyndon B. Johnson’s assistant administrator for aid to Africa in the Agency for International Development from 1967 to 1969, and director of the Voice of America under President Jimmy Carter from 1977 to 1979.

He was also the author of “Is the State Department Color Blind?” (1971), “The Buddy System in Foreign Affairs” (1973) and “The Father of Anne Frank” (1975).

Daniel E. Slotnik contributed reporting.

http://www.nytimes.com/2012/08/09/business/r-peter-straus-wmca-radio-pioneer-dies-at-89.html

 VOA photo of R. Peter Straus added by WNEW1130 editors

 

Civil Rights Jazz P.S.

 The photo above was inscribed by Gene Klavan and Dee Finch “To the great dane, Chris ” Albertson who worked in promotion and as continuity director while with WNEW between 1961 and 1964. Albertson was born in Reykyavik, Iceland and attended schools there and in England and Denmark. It was while in Denmark in 1947, Albertson says, that he heard a recording on radio by Bessie Smith that changed his life, for it led to a life-long devotion to jazz and blues music.

In case you missed it, “Civil Rights Jazz” was posted here on March 12, 2012.

Publicity photo by James J. Kreigsman

WBW VIS-A-VIS RNR

WBW vis-a-vis RNR

William B. Williams is pictured above in a late 50’s  newspaper ad.  His opinions about rock ‘n’ roll  were evidently expressed in a more courtly manner during a TV appearance in 1963, according to listeners who wrote to him after the show.  Those listener comments were included in one of   WNEW’s  column-like promotional ads, What’sNEW, (see below) placed in New York’s major dailies in 1963 /64. This is the  5th edition we’ve reconstructed from original clips collected by Bill Diehl. 

Footnote: From the mid 1960’s to the early 80’s, WNEW tried to acknowledge top pop music  to no one’s satisfaction. The station’s return in the early 80’s to the style of programming that had long sustained it, was undone by a  succession of owners whose  starvation budgets and programming bludegons rendered the WNEW of times past unrecognizable and without immediate value except for one more sale.   E.B.WBW RNR

Bang! They’re Off!

“. . .news on  the hour and half-hour, Nat Asch Sports Reports . . .part of Klavan In the Morning  once upon a time.  An e-mail and a photo from Stuart Zuckerman appear below.

I was Promotion Manager of WNEW-AM for less than a year (June 1974-March 1975) but have fond memories of the great on-air talent I worked with, particularly Gene Klavan and Julius La Rosa.

 It was a stressful time in the station’s history. A new Program Manager had arrived from the Cleveland station where Don Imus was the morning man. The program manager, John Lund, had been brought in to make the music more contemporary, but not be rock’n’roll. (Think pop Top 40). The on-air talent was not happy. Imagine Willliam B. Williams being told to mix “Baby I’m-A Want You” by Bread in the same set as something by Sinatra.

 I’m most proud of an ad campaign I created for the morning drive program with the somewhat risqué headline. “Klavan gets you off in the morning”.  (The runners L-R: Sales reps. Ed Mohr, Dick Barry, Nick O’Neill, PD John Lund.) Hope this brings back some fond memories to some of the gang that was at Eleven-Three-Oh back then.

klavan gets you off

Pete Fornatale

 Update — Saturday, April. 28, 2012 — Bill Diehl (WNEW/ABC) spoke with Pete Fornatale a couple of years ago on ABC radio, after Fornatale released his ode to the Woodstock era entitled “Back to the Garden: The Story of Woodstock.” http://www.youtube.com/watch?v=1FQSS1UNuJg

 New York Times feature story by Douglas Martin, published: April 27, 2012, appears  below the following item.

 Pete Fornatale, pioneering NYC rock radio deejay and writer, dead at 66

Bronx native was one of first free-form deejays on early FM rock radio

By David Hinkley –  NEW YORK DAILY NEWS

Thursday, April 26, 2012, 4:07 PM

 Pete Fornatelle, a New York deejay, historian and writer who for almost 50 years championed the spirit of musical freedom on the radio airwaves, died Pete Fornatale Thursday at Beth Israel Medical Center. He was 66.

He suffered a brain hemorrhage on April 15 and been in intensive care for the last week.

A native of the Bronx and a graduate of Fordham, Fornatale started his deejay career Nov. 21, 1964, hosting “Campus Caravan” on Fordham’s WFUV.

He continued “Campus Caravan” until 1970, by which time he was also working at WNEW-FM as one of the pioneer free-form deejays on early FM rock radio.

“For the first time, we could play music on the radio the way we played it in our lives,” he said last year. “It wasn’t just the top 40 played over and over. You could play longer tracks, you could play older tracks, you could make the music fit together.

“It was magical.”

“My fondest memory of Pete,” said his long-time radio colleague Pat St. John, “was listening to him one Sunday morning when he was doing a show on different songs about life.

“A particular favorite of mine is a very little-known song by Rick Nelson simply called ‘Life.’ After about an hour, I called Pete and suggested this tune, and he told me he’d just cued it up and it’d be the next song he was going to play.

“It goes, ‘Life, what are we here for? / I want to know more.’”

 

Fornatale worked at WNEW-FM until 1989, when he moved to WXRK. He briefly moved back to WNEW-FM a few years later.

But as commercial radio moved further away from the free-form spirit, he and other free-form advocates became increasingly disenchanted.

In 2001, he returned to non-commercial WFUV, where he hosted a free-form show he had started in 1982 called “Mixed Bag.” He also hosted a weekly in-depth interview show, and he frequently tied both shows to historic or contemporary themes.

His last “Mixed Bag” show on April 14, commemorated the 100th anniversary of the sinking of the Titanic.

“This is just the right amount of radio to be doing,” he said last year. “I have this show every week where I can say what I want, but I don’t have to be scrambling to fill four hours every day. That gets harder as you get older.”

He developed close relationships with artists like Paul Simon over the years and was also active in several charity organizations.

That included World Hunger Year, which was co-founded by his friend Harry Chapin in 1975 and is now run by cofounder Bill Ayres as WhyHunger.

Fornatale raised money and hosted WHY events for many years.

He also wrote a number of books on music, including a history of Woodstock and a biography of Simon and Garfunkel. He often hosted shows on WNET and was a consultant on music projects for MTV and VH1.

He said last year he was always fascinated by “the real stories of what happened with music and songs. So much gets mythologized, but to me the real story is almost always better.”

Pete Fornatale attends the AFTRA Foundation’s 2012 AFTRA Media and Entertainment Excellence Awards in February. Neilson Barnard/Getty Images

He won the Armstrong Excellence in Broadcasting Award in 1983 and received AFTRA’s Media and Entertainment Excellence Award in February at the Plaza.

Fornatale was born and raised in the Belmont section of the Bronx, known as Little Italy.

He was just a few years behind Dion and the Belmonts, who were one of his favorite artists, and he recalled growing up to the sound of vocal harmony groups, as well as Elvis and early rockers.

The first record he bought, he said, was Elvis’s “Hound Dog.”

He graduated from Fordham Prep before he attended Fordham, and after he graduated he spent two years as a teacher before going into radio full-time.

“Pete was always teaching us,” said folksinger and friend Christine Lavin, “even when we thought we were just being entertained.”

Fornatale is survived by his ex-wife Susan and their three sons, Peter, Mark and Steven.

Click on link for New York Daily News http://www.nydailynews.com/topics/Pete%20Fornatale

Pete Fornatale thumbnail photo and WNEW-FM promotion publication added by WNEW1130.com

  

NEW YORK TIMES FEATURE STORY By

Published: April 27, 2012

 Pete Fornatale, a disc jockey who helped usher in a musical alternative to Top 40 AM radio in New York in the late 1960s and early 1970s, presenting progressive rock and long album tracks that AM stations wouldn’t touch and helping to give WNEW a major presence on the still-young FM dial, died on Thursday in Manhattan. He was 66. The cause was complications of a stroke, his son Mark said.
 
Pete Fornatale in 2002 at WFUV at Fordham University, where he first hosted a radio program as a sophomore there.Photo by Ting-Li Wang/The New York Times
 
 
FM radio had been around for a while but did not come of age until the 1960s, when, amid the whirlwind of a growing counterculture, the federal government mandated that FM stations carry different programming from that of their sister AM bands. Enterprising D.J.’s grasped the chance to play longer, fresher, rarer music and give voice to the roiling political and social issues of the day.
 
Mr. Fornatale was at the forefront of the FM revolution, along with WNEW-FM colleagues like Scott Muni, Rosko, Vin Scelsa, Dennis Elsas, Jonathan Schwartz and Alison Steele (who called herself “the Nightbird”). They played long versions of songs, and sometimes entire albums, and talked to their audiences in a conversational tone very different from the hard-sell approach of their AM counterparts.
 
WNEW-FM may have been the most influential experimenter. When the station dropped rock music for talk radio in 1999, Billboard called it “a legend, affecting and inspiring people throughout the industry.”
 
Mr. Fornatale (pronounced forn-a-TELL) had actually beaten WNEW to the punch. As a sophomore at Fordham University  in 1964, he persuaded the school’s Jesuit leaders to let him do a free-form rock show on what was officially an educational station. He continued that show for a few years after he graduated, and for a while could be heard on both WFUV and WNEW.
WOR-FM became the first commercial station in New York to adopt the format, in 1966, but abandoned it after about a year. WNEW, with the slogan “Where Rock Lives,” adopted it in 1967.
Mr. Fornatale came on board in 1969 and quickly moved to the center of New York’s music scene. He gave early exposure to country-rock bands like Buffalo Springfield and Poco. He did one of the first American interviews with Elton John, and got a rousing ovation when he brought a rented surfboard to Carnegie Hall for a Beach Boys show. He introduced Curtis Mayfield to Bob Dylan at a Muhammad Ali fight.
In 1982 he started “Mixed Bag,” a program that emphasized singer-songwriters, on Sunday mornings. His regular guests included Suzanne Vega, who introduced herself to him by sending a fan letter.
One of Mr. Fornatale’s signatures was playing songs that followed a theme. It might be colors, with a playlist including the Beatles’ “Yellow Submarine” and Joni Mitchell’s “Blue.” Or it might be great inventions, as when he celebrated the 214th anniversary of the United States Patent Office. Or the theme might simply be radio.
Peter Fornatale was born in the Bronx on Aug. 23, 1945, and graduated from Fordham Preparatory School, on the campus of Fordham University. His introduction to rock ’n’ roll came in 1956 when his father summoned him to the television to see “this crazy guy” — Elvis Presley. The first record he bought was Presley’s “Hound Dog.”
Mr. Fornatale graduated from Fordham with a degree in communications in 1967 and taught English at a Roman Catholic high school before joining WNEW. His voice drew praise for its mellow, almost professorial tone, although some listeners may have chosen to describe it as nasal.
By the early 1980s, stations specializing in what had been known as free-form radio were bringing in business consultants who urged less variety in records and more control over the disc jockeys. Mr. Fornatale later complained that he and his colleagues had been demoted from chefs into waiters, “and fast-food waiters at that,” as he told The Record of Bergen County, N.J., in 1999.
He left WNEW in 1989 to follow the station’s program director to WXRK-FM (K-Rock), which followed a more conventional approach to pop music. Mr. Fornatale’s show came on after Howard Stern’s. Mr. Stern, whose shock-jock format was becoming radio’s new wave, called Mr. Fornatale the “anti-Stern.”
In 1997 Mr. Fornatale returned to WNEW-FM, which had decided to go back to album-oriented rock after a succession of owners and formats. But within a year the station had changed formats again, to talk. In 2001, Mr. Fornatale returned to where he had started: WFUV. “I love the idea I’ve come full circle,” he said.
Mr. Fornatale wrote several books, including one on the making of Simon and Garfunkel’s 1968 album “Bookends,” and one on the Woodstock music festival. He was also the main writer for a series of 600 trading cards on the life of Elvis Presley.
He had lived for six years in Rockaway, Queens, and the previous four decades in Port Washington, N.Y.
Mr. Fornatale’s marriage to Susan Kay Flynn ended in divorce several years ago. He is survived by his sons, Peter, Mark and Steven, and his brother, Robert.
His WFUV show, which like his earlier WNEW singer-songwriter show was called “Mixed Bag,” ran from 4 to 8 p.m. on Saturdays.
“If you give me the right idea for a program,” Mr. Fornatale said in 2004, “I can give back to you a three-hour journey where, if you tune in at any time, you’re likely to hear something that will entertain you. But if you take the ride with me, when we get to the end, you’ll say, ‘Wow, what a long, strange trip it’s been.’ ”

Civil Rights Jazz

As a jazz DJ/journalist, Chris      Albertson arrived  in New York in 1960  from Philadelphia radio stations WCAU and WHAT-FM.  While employed as WNEW’s Continuity Director, he was also producing  jazz recordings   and working nights as a volunteer at leftist, avante garde WBAI-FM. He left WNEW in 1964 to work at WBAI full time, eventually becoming General Manager.

From his WNEW files, he sent us captioned website photos from a 1963 special event MC’d by William B. Williams at  the North Stamford, Conn. home of Jackie Robinson.  Albertson was there to record the event. 

On his website, Albertson wrote, “I made a stop at one of my favorite blogs, Villes Ville and learned the sad news that Joya Sherrill left us on June 28, 2010. You may recall that Joya sang with Duke Ellington’s Orchestra off and on between 1942 and 1959. I took this photo of her in 1963, at a summer afternoon lawn party thrown by Jackie Robinson and his wife as a benefit to raise bail money for SNCC. (Student Non-Violent Coordinating Committee).

Many performers were there, including Quincy Jones and Billy Taylor, The Dave Brubeck Quartet, and the Ellington Alumni Orchestra, led by Mercer Ellington. . . I was there with William B. Williams and a WNEW crew. “

 

 “Here are  more photos from that afternoon. Willie B was the MC and you’ll spot our host behind him.”

 

More later from Chris Albertson’s Klavan and Finch file.  His web biography:   http://en.wikipedia.org/wiki/Chris_Albertson

“Södertälje Calling”

After reading Wolfgang Hanson’s letter (below) Andy Fisher sent this e-mail comment.  “I believe one of the engineers once told me we got a DX card from Iran.  We were regularly received in Britain, and two BBC officials stopped by the station one night to say that they listened to WNEW’s 1AM newscast at Broadcast House in London every morning at 6.  Lots of people in Nova Scotia listened to us on a regular basis, and in distant parts of New England, we came in at night like a local station!”

Södertälje, Sweden is about 19 miles from Stocholm.  Bjorn Borg was born there. The Big “W” had a pen pal there. Thanks to Bill Diehl for this special delivery. Clicking on 14-year old Wolfgang Hanson’s  letter should enlarge the image.

WIP, at 90, Lives On

WIP Philadelphia has a celebrated history of its own, but to many former WNEW staffers, WIP, during years it was owned by Metromedia, was  the other side of a revolving door, through which people came and went to promotions or exile.  Two of the many people who worked both sides of that door, Andy Fisher and Dick Carr, attended  WIP’s 90th birthday party yesterday (March 21) and took notes.  Andy’s note, posted on the  NY Radio Message Board, is also reproduced below 

http://www.musicradio77.com/wwwboard/messages/394271.htm

Andy Fisher — A radio station that has at times served as a farm team for New York talent celebrated its 90th birthday today, at a luncheon sponsored by the Broadcast Pioneers of Philadelphia at the Bala Country Club in Philly.  Speakers at the WIP anniversary event included programmers Dick Carr and Dean Tyler and air personality Bill St. James.  Jerry Del Colliano, founder and former publisher of the industry newsletter Inside Radio, and a former news anchor and programmer at Philadelphia stations, was master of ceremonies.
         Speakers recalled WIP’s founding by — and at — the Gimbel department store in center city Philadelphia,  the purchase of the station by Metromedia in the late 1950s and its heyday as a standards station, its acquisition of the rights to Eagles football play-by-play, and its current success in sports talk radio.
After a lifetime at 610 on the AM dial, WIP recently began duplicating its broadcasts on FM and billing  itself as 94 WIP.

Dick CarrDick Carr posted his WIP notes on his Big Bands, Ballads and Blues blog:            www.bigbandsballadsandblues.com

 

Definately Not An Undercover Assignment

In What’sNEW#1, posted February 2nd, mention was made of one of WNEW’s red mobile units, taking News Director Lee Hanna, Tech. Supervisor Shel Hoffman and engineer Howie Epstein to Washington D.C., Aug. 26, 1963 to cover  the March On Washington. A photo of one of those Chrysler red hots, was discovered just a few days ago by chance on  the internet.  The photo, taken by Bill Cotter in April, 1965, shows the wagon in front of the Irish Pavillion, during the 1964/65 New York World’s Fair. Cotter posted the photo, and others, in 2010 on “World’s Fair Community.org. 

 http://www.worldsfaircommunity.org/topic/10385-wnew-news-at-the-fair/

wnew-wagon worlds fair

When trade-in time came, WNEW stayed with the Chrysler New Yorker, but in quieter white.     

http://www.worldsfaircommunity.

W hat’s NEW #2

April 1964.  Marlene Sanders, after two years at WNEW, will leave for ABC (1964-1978) and later CBS (1978-1987)  But before departing 1130, she served as Assistant News Director, produced the award-winning News Closeup series and was  recognized for distinquished reporting. See What’sNEW#2, below.

 Marlene Sanders What's new